Limited Edition Paper

Marc Chagall Limited Edition Mourlot Color Lithograph-The Blue Cow, 1967

Marc Chagall Limited Edition Mourlot Color Lithograph-The Blue Cow, 1967
Marc Chagall Limited Edition Mourlot Color Lithograph-The Blue Cow, 1967
Marc Chagall Limited Edition Mourlot Color Lithograph-The Blue Cow, 1967
Marc Chagall Limited Edition Mourlot Color Lithograph-The Blue Cow, 1967
Marc Chagall Limited Edition Mourlot Color Lithograph-The Blue Cow, 1967
Marc Chagall Limited Edition Mourlot Color Lithograph-The Blue Cow, 1967

Marc Chagall Limited Edition Mourlot Color Lithograph-The Blue Cow, 1967

Please read description and look at photos carefully. La Vache Bleue (The Blue Cow). Does not appear to be signed. Exposed image measures 12x 9.25 inches.

Measures 20.25 x 18 inches with the frame. Wired and ready to hang. Condition looks overall very good: very slight matte shadow, paper is slightly wavy, the artwork has not been removed from the original frame for further inspection, glass cover has a film, the frame has some wear. Marc Chagall was a man of keen intelligence, a shrewd observer of the contemporary scene, with a great sympathy for human suffering. He was born on July 7, 1887 in Vitebsk, Russia; his original name was Moishe Shagal (Segal), but when he became a foremost member of the Ecole de Paris, he adopted French citizenship and the French spelling of his name.

Vitebsk was a good-sized Russian town of over 60,000, not a shtetl. His father supported a wife and eight children as a worker in a herring-pickling plant. Sheltered by the Jewish commandment against graven images, the young Chagall never saw so much as a drawing until, one day, he watched a schoolmate copying a magazine illustration.

He was ridiculed for his astonishment, but he began copying and improvising from magazines. Both Chagall's parents reluctantly agreed to let him study with Yehuda Pen, a Jewish artist in Vitebsk.

Later, in 1906, they allowed their son to study in St. Petersburg, where he was exposed to Russian Iconography and folk art. At that time, Jews could leave the Pale only for business and employment and were required to carry a permit.

Chagall, who was in St. Petersburg without a permit, was imprisoned briefly. His first wife, Bella Rosenfeld, was a product of a rich cultivated and intellectual group of Jews in Vitebsk. Chagall was made commissar for the arts for the area, charged with directing its cultural life and establishing an art school.

Russian folklore, peasant life and landscapes persisted in his work all his life. In 1910 a rich patron, a lawyer named Vinaver, staked him to a crucial trip to Paris, where young artists were revolutionizing art. Chagall rejected cubism, fauvism and futurism, but remained in Paris. He found a studio near Montparnasse in a famous twelve-sided wooden structure divided into wedge-shaped rooms. Chaim Soutine, a fellow Russian Jew, and Modigliani lived on the same floor.

To Chagall's astonishment, he found himself heralded as one of the fathers of surrealism. In 1923, a delegation of Max Ernst, Paul Eluard and Gala (later Salvador Dali's wife) actually knelt before Chagall, begging him to join their ranks.

To understand Chagall's work, it is necessary to know that he was born a Hasidic Jew, heir to mysticism and a world of the spirit, steeped in Jewish lore and reared in the Yiddish language. The Hasidim had a special feeling for animals, which they tried not to overburden. In the mysterious world of Kabbala and fantastic ancient legends of Chagall's youth, the imaginary was as important as the real. His extraordinary use of color also grew out of his dream world; he did not use color realistically, but for emotional effect and to serve the needs of his design.

Most of his favorite themes, though superficially light and trivial, mask dark and somber thoughts. The circus he views as a mirror of life; the crucifixion as a tragic theme, used as a parallel to the historic Jewish condition, but he is perhaps best known for the rapturous lovers he painted all his life. His love of music is a theme that runs through his paintings. After a brief period in Berlin, Chagall, Bella and their young daughter, Ida, moved to Paris and in 1937 they assumed French citizenship.

When France fell, Chagall accepted an invitation from the Museum of Modern Art to immigrate to the United States. He was arrested and imprisoned in Marseilles for a short time, but was still able to immigrate with his family. The Nazi onslaught caught Chagall in Vichy, France, preoccupied with his work. He was loath to leave; his friend Varian Fry rescued him from a police roundup of Jews in Marseille, and packed him, his family and 3500 lbs. The day before he arrived in New York City, June 23, 1941, the Nazis attacked Russia.

The United States provided a wartime haven and a climate of liberty for Chagall. In America he spent the war years designing large backdrops for the Ballet.

Bella died suddenly in the United States of a viral infection in September 1944 while summering in upstate New York. He rushed her to a hospital in the Adirondacks, where, hampered by his fragmentary English, they were turned away with the excuse that the hour was too late.

The next day she died. He waited for three years after the war before returning to France. With him went a slender married English girl, Virginia Haggard MacNeil; Chagall fell in love with her and they had a son, David. After seven years she ran off with an indigent photographer. It was an immense blow to Chagall's ego, but soon after, he met Valentine Brodsky, a Russian divorcee designing millinery in London (he called her Fava).

She cared for him during the days of his immense fame and glory. Chagall loved the country and every day walked through the orchards, terraces, etc. Before he went to work. Chagall died on March 28, 1985 in the south of France. Chagall's daughter, Ida and his widow approved the arrangement.

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While we do take the greatest possible care within our ability and knowledge to mention any condition issues, if you happen to notice a defect not originally mentioned in the listing, please understand there are occasional and unintentional oversights. This item is in the category "Art\Art Prints". The seller is "alsace376" and is located in this country: US. This item can be shipped worldwide.

  • Artist: Marc Chagall
  • Unit of Sale: Single-Piece Work
  • Image Orientation: Portrait
  • Size: Medium (up to 36in.)
  • Signed: No
  • Material: Paper, Lithograph
  • Framing: Matted & Framed
  • Original/Licensed Reprint: Limited Edition Print
  • Region of Origin: Paris
  • Subject: Cows, Figures
  • Print Surface: Paper
  • Type: Print
  • Year of Production: 1967
  • Width (Inches): 17
  • Height (Inches): 20.75
  • Style: Modernism
  • Theme: Animals, Art, Judaica, People
  • Features: Limited Edition, Framed, Matted
  • Production Technique: Lithograph
  • Country/Region of Manufacture: France
  • Time Period Produced: 1960-1969


Marc Chagall Limited Edition Mourlot Color Lithograph-The Blue Cow, 1967